Showing posts with label Sam Claflin. Show all posts
Showing posts with label Sam Claflin. Show all posts

The Riot Club - Review

THE RIOT CLUB


2014

15

Directed by Lone Scherfig 

Starring Max Irons, Douglas Booth and Sam Claflin



The Riot Club is an adaptation of Laura Wade's 2010 stage play Posh which was inspired by the infamous Bullingdon Club. Historically the society, inextricably linked with Oxford University, hosts lavish dinners often followed by substantial damage to the host dining establishment with the knowledge that reimbursement will not be an issue. Alumni include Cameron, Osborne and Johnson and the club seems to be a stomping ground for the future movers and shakers of the upper stratum of our society. The movie depicts Miles' (Irons) and Alistair's (Claflin) rise to glory in the Club and their subsequent fall from grace (though perhaps not...)

The movie centres around the dinner itself at a family run gastropub in the middle of nowhere. We are introduced to the meticulously proud owner who unwittingly accommodates the boys under the pretence they are a club of young entrepreneurs. As the dinner progresses the juxtaposition of the activity in the private dining room contrasted with the pub is excruciating. Birthday celebrations, families and normal people having a meal out is set against a seedy backdrop of hookers, wealth and debauched behaviour metres away in the back room. It's a sad watch and the climax is quite horrific.

The members of the club are superbly unpleasant. Pacing in the first and second acts is incredible, whilst the third loses a touch of momentum. We are introduced to these entertaining, sexy and glamorously fun young men, everyone laughs and you can see how someone like Miles could be drawn into the Club. Then the tone changes, it gets out of hand and escalates to a point that the previous laughter feels inappropriate and something to feel guilty of. The Riot Club may be a little heavy handed, deliberate and farfetched but at its core is a message that may be based on more than a unfair stereotype.

It's not entirely a political satire and as a project seems unsure whether it wants to be a teenage comedy or a cutting portrait of the ruling elite. Though perhaps that is the point; as a university student, the banter, socialect and repartee are believable and the initial humour created shows how these boys can be charming, lovable 'toffs' - not these vile caricatures that I expected.

However, The Riot Club does lack depth and insight. If the director's intention was to perpetuate the class divide and rile up the electorate prior to the next general election, the opportunity was missed. The film will certainly raise eyebrows and bring light to the darker side privilege but this is not revolutionary or shocking enough to enrage the cinema audiences. Still, it got under my skin and made me agree with a sentiment vocalised by Max Irons - if what the Bullingdon Club get up to is true, they're are just doing the same thing as the rioters did in London. The difference is, the rioters in London got a prison sentence and made an example of whereas the boys in the movie have been given every advantage, privilege and opportunity - yet do the same thing and can just pay for it while it all gets swept under the rug and forgotten about whilst they forge distinguished careers. This notion is reflected in the final scene; a clinical, accusatory snapshot of Britain's class system. It is indeed political, theatrical and shockingly entertaining but it just lacks a bit of  much needed bite. 

I don't quite predict a riot...


Rating: 7




Cannes Film Festival - Coverage

Been loving the coverage coming from the Cannes Film Festival this past week and have collated some of my favourite pictures from some of the events. There looks to be some amazing films premiering this year so keep it locked for discussion on some of the buzz films that reviewers are getting excited about!















 
In Competition (Jury chair: Steven Spielberg)
 
Only God Forgives, dir Nicolas Winding Refn
Borgman, dir Alex Can Warmerdam
La Grande Bellezza, dir Paulo Sorrentino 
Behind the Candelabra, dir Steven Soderbergh
La Venus a la Fourrure, dir Roman Polanski
Nebraska, dir Alexander Payne
Jeune et Jolie, dir François Ozon
La Vie d'Adele, dir Abdellatif Kechiche
Wara No Tate, dir Takashi Miike
Soshite Chichi Ni Naru, dir Kore-Eda Hirokazu
Tian Zhu Ding, dir Jia Zhangke
Grisgris, dir Mahamat-Saleh Haroun
The Immigrant, dir James Gray
Heli, dir Amat Escalante 
Le Passe, dir Asghar Farhadi
Michael Kohlhaas, dir Arnaud Despallieres
Inside Llewyn Davis, dir Ethan and Joel Coen
Un Chateau en Italie, dir Valeria Bruni-Tedeschi
 
Un Certain Regard (Jury chair: Thomas Vinterberg)
 
The Bling Ring, dir Sofia Coppola
L'Inconnu Du La, dir Alain Guiraudie
Bends, dir Flora Lau
L'Image Manquante, dir Rithy Panh
La Jaula De Oro, dir Diego Quemada-Diez
Anonymous, dir Mohammad Rasoulof
Sarah Préfère La Course, dir Chloé Robichaud
Grand Central, dir Rebecca Zlotowski
Fruitvale Statio, dir Ryan Coogler
Les Salauds, dir Claire Denis
Norte, Hangganan Ng Kasaysayan, dir Lav Diaz
As I Lay Dying, dir James Franco
Miele, dir Valeria Golino
Omar, dir Hany Abu-Assad
Death March, dir Adolfo Alix Jr
 
Cinefondation (Jury chair: Jane Campion)
 
Special Screenings
 
Weekend Of A Champion, dir Roman Polanski 
Seduced And Abandoned, dir James Toback
Otdat Konci, dir Taisia Igumentseva
Muhammad Ali's Greatest Fight, dir Stephen Frears
Stop The Pounding Heart, dir Robero Minervini
 
Midnight Screenings
 
Monsoon Shootout, dir Amit Kumar
Blind Detective, dir Johnnie To
 
Homage To Jerry Lewis
 
Max Rose, dir Daniel Noah
 
Out Of Competiton 
 
All Is Lost by J.C Chandor
Blood Ties by Guillaume Canet