Showing posts with label Daniel Day-Lewis. Show all posts
Showing posts with label Daniel Day-Lewis. Show all posts

Modern Classics - The Age of Innocence Review


THE AGE OF INNOCENCE


1993

PG

Directed by Martin Scorsese

Starring Daniel Day-Lewis, Michelle Pfeiffer, Winona Ryder


The Age of Innocence is set in 19th century New York high society and chronicles the tale of a young lawyer Newland Archer engaged to be married to May Welland. Their well ordered life is upset when Newland falls in love with a lady separated from her husband, the curiously intriguing Countess Olenska. A woman who also happens to be his fiancée’s cousin. The Countess Olenska separation from her abusive husband makes her a social outcast in the restrictive and repressive New York high society.

At first The Age of Innocence seems like an unusual project for Martin Scorsese to embark upon. Prior to 1993 Scorsese was known for films such as the brutal yet brilliant Taxi Driver and Goodfellas; a far cry from the New York society he was to bring to life. However any reservations are soon put to bed within the first couple of scenes. From the outset The Age of Innocence exhibits exquisite and elaborate style and panache which showcases the opulent period for what it was. But whilst it seems beautiful and pristine from the outside, society was riddled with hypocrisy, injustice and artificiality. In the same vane, our characters may seem like statuesque models of perfection, but inside are concealing desires and beliefs that society would not allow them to express.

Living in a conservative age full of airs and graces Newland finds himself trapped by his social circle as well as his views of what he wants to do and what he ought to do. Daniel Day-Lewis once again settles into the period with remarkable ease. You can’t help but think that he was made for this type of high society gentleman with his lithe gait and courteous and thoughtful façade. He is surprisingly glacial in some respects also and reminiscent of something Barry Norman once said. “I think Daniel is a very fine actor indeed, very versatile and he genuinely pursues roles which appeal to him rather than for commercial reasons which is hugely commendable. My only query is that there seems to be a coldness to him. There is a distance put between himself and the audience. Some of the biggest Hollywood stars, most of whom couldn’t hold a candle to Daniel acting wise, still project warmth.” Ironically enough though, the aloof detachment with which he plays Newland Archer is perfect. Daniel Day-Lewis is a fine actor, an immaculate actor to be feared and respected but the lack of warmth is representative of how society commanded people to be. Similarly both Ryder and Pfeiffer embody polar opposites of the time period. Whilst the Countess Olenska exudes an exotic and refreshing excitement, May comes across as innocent and childlike; but perhaps all isn't what it seems.

As one of Scorsese’s most underrated movies, The Age of Innocence is one of those films that, personally speaking, improves with time and possible consequent viewings. It’s beautiful, heart breaking and poignant. In a world of tradition. In an age of innocence. They dared to break the rules.








Modern Classics - There Will Be Blood



THERE WILL BE BLOOD


15

2007

Directed by Paul Thomas Anderson

Starring Daniel Day-Lewis, Paul Dano and Ciaran Hinds




It has been a long time since I reviewed a modern classic so today's effort is the 2007 Oscar nominated There Will Be Blood. This is a story about family, greed, religion and oil, centred around a turn of the century prospector in the early days of the business. Not a great deal happens in way of plot but this is definitely one of those films that showcases incredible directing and believable acting in every single frame.


It's not an easy watch. The soundtrack is almost sickening, it creates a mounting feeling of unease throughout the movie. It's almost as if Daniel Plainview becomes a high pressure canister and you spend a great deal of the movie on the edge of your seat waiting for him to lose the plot. To blow up just like the glorious oilrig explosion; and when he does eventually hit the roof, it is legendary. The beginning and the end of this movie could not be at greater odds with each other, but that's what makes There Will Be Blood so stand-out and memorable, it will linger in your thoughts for days after..

Plainview is the silver miner turned oilman, a salesman and a grafter with an insatiable desire for power. Day-Lewis' performances is theatrical but it had to take a character with that much presence to inhabit and fill the immense space this film creates. Similarly Eli Sunday is equally dramatic and charismatic for different purposes but ultimately the same reason. Eli assures a better life and redemption from hardship through religious command whereas Daniel seeks to appease the masses with capitalist promises of wealth and prosperity in this life. Although Eli's faults are nowhere in the league of Daniel's, they are both corrupt individuals whose egos are at constant loggerheads. Each man exploits the opportunity to attack whenever he has the upper hand. Their characters clash in that same way religion and capitalism do throughout the movie. Both leads are convincing and awe inspiring; it's a lethal combination. With Dano and Day-Lewis’ dominance throughout the movie, it’s like an impressive two-man-show in the middle of a desert. 

Anderson shoots brilliantly, feverish, bitter and bleakly beautiful. There Will Be Blood is up there with the best of western-set dramas along with the likes of No Country For Old Men. This is still a fresh genre with plenty of room to be intelligent, thrilling and stunning. 



The Academy Awards 2013: all the pictures!

Jennifer Lawrence in Dior Haute Couture

Jessica Chastain in Armani

Best Actress Jennifer Lawrence: every inch the superstar

Amy Adams in Oscar De Lorenta

Michael Douglas and Catherine Zeta Jones

Bradley Cooper and his beautiful mum Gloria 

Naomi Watts 

Reece Witherspoon in Louis Vuitton

Silver Linings Playbook: Jen and Brad

Eddie Redmayne

Meryl Streep and Best Actor Daniel Day-Lewis

Technically the best actors in Hollywood this moment
L-R Daniel Day-Lewis, Jennifer Lawrence, Anne Hathaway, Christopher Waltz
The night's big winners 

Stunning medley from the cast of Les Miserables 

Love young dream: Cosette and Marius aka Amanda Seyfried and Eddie Redmayne  

Best Supporting Actress: Anne Hathaway

The greatest actor of our time: Daniel Day-Lewis 

Amanda Seyfried looking fierce in Alexander McQueen 

BAFTA 2013 Winners

Every aspect of the industry was celebrated last night: the initial seed of an idea, the classic works of literature that inspire screenplays, the great people who are worthy of endless portrayals, the wild thoughts that ignite these movies. The technicality of filming, the original shots, the page turning scripts, the costumes, the sweeping scores and soundtracks. Actors; people who breath life into concepts, who enact words on a page into a visceral and tangible reality, who bring us laughter, fear, tears and entertainment. Press junkets, premieres, the spectacle of trips to the cinema, opening night anticipation. Then awards season buzz which eventually leads to these tremendous shows where the story tellers of this world are celebrated and decorated. Films have the power to change lives, brighten days, distract you from the mundane, remind you it's not that bad, help you to imagine, to feel, to dream. 

Hopefully, after last night's show, this great art form has inspired many more future directors, writers, actors...

Scroll down for the winners list and some pictures of the stars with their awards. Bet the Academy are feeling a bit red faced for snubbing Argo now...

Best FilmArgo

DirectorBen Affleck (Argo)

Leading ActorDaniel Day-Lewis (Lincoln)

Leading Actress
Emmanuelle Riva (Amour)

Supporting Actor
Christoph Waltz (Django Unchained)

Supporting Actress
Anne Hathaway (Les Miserables)
Bafta Fellowship
Sir Alan Parker

THE EE Rising Star Award (voted for by the public)Juno Temple

Outstanding British Contribution to CinemaTessa Ross

Outstanding Debut by a British Writer, Director or ProducerBart Layton, Dimitri Doganis (The Imposter)

Film Not in the English Language
Amour

DocumentarySearching For Sugar Man


Outstanding British Film Skyfall

Animated Film Brave

Original Screenplay Django Unchained (Quentin Tarantino)

Original Music Skyfall (Thomas Newman)

Cinematography Life Of Pi (Claudio Miranda)

Editing Argo (William Goldenberg)

Costume Design Anna Karenina (Jacqueline Durran)

Make-up and Hair Les Miserables (Lisa Westcott)

Sound Les Miserables

Short Animation The Making Of Longbird

Short Film Swimmer

Adapted ScreenplayDavid O Russell (Silver Linings Playbook)

Production Design
Les Miserables (Eve Stewart, Anna Lynch-Robinson)

Special Visual Effects
Life Of Pi





Lincoln - Review


LINCOLN 


2013

12A

Directed by Steven Spielberg

Starring Daniel Day-Lewis, Sally Field and Joseph Gordon-Levitt


It has been far too long since the last Amateur Review! Last week was taken up with the sights and sounds of Paris and just generally viewing a lot of films (and not reviewing). It’s vain to assume the posts have been missed however it seems like a necessary formality to apologise for this absence, especially in the middle of awards season! Let’s start with Lincoln.

As the Civil War continues to rage, America's president struggles with continuing carnage on the battlefield and as he fights with many inside his own cabinet on the decision to emancipate the slaves. Lincoln is the striking account of the president’s plight to pass the 13th amendment in the House of Representatives which would render slavery outlawed.

On paper, this looks like a classic picture. One of America’s most interesting historical figures, a whole host of the industry’s finest actors and Spielberg at the helm. Yet even with this knowledge, Lincoln surpasses expectation still.

For such a rich period of American history with so many colossal themes it would be far too easy for Lincoln to become the ‘greatest hits of one of America’s best’. A climax of a movie involving bearded men in the House of Representatives voting on an amendment is not typically thrilling for today’s blockbuster fans, but it really is, even though the outcome of the vote is known to most. With that said, as this is such an epic story with so many characters, sometimes the odd plot thread is lost in the massiveness of it all (yes Joseph Gordon-Levitt, you were partially underwritten.)  

Daniel Day-Lewis was Lincoln, flawless and utterly mesmerising. It is a hugely internal performance, a man of steel with a surprising sense of humour and the proclivity to tell some of the best tales. The physicality of this historic great is staggering. All 6”4, with his stiff, gangly gait; imposing in a non menacing kind of way. Sometimes stooping in shadows showing him as a fragile and contingent man; other times stoically illuminated by light giving us an indication of the gritty luminary he was to be remembered as.

In a room filled with so many strong politicians of the day, Lincoln could command a room. Similarly, on a set of so many true and iconic actors, Day-Lewis has that presence and steals every single scene even with his tinny, softly spoken voice. It’s hard to pinpoint the strongest element of the movie: the stunning art direction, the clever script, the impeccable character acting or the immense directorial restraint. If the Academy doesn’t take to any of the aforementioned aspects; they really are a fussy lot.


Rating: 7.5