Cannes Film Festival - Coverage

Been loving the coverage coming from the Cannes Film Festival this past week and have collated some of my favourite pictures from some of the events. There looks to be some amazing films premiering this year so keep it locked for discussion on some of the buzz films that reviewers are getting excited about!

 

In Competition (Jury chair: Steven Spielberg)

 

Only God Forgives, dir Nicolas Winding Refn

Borgman, dir Alex Can Warmerdam

La Grande Bellezza, dir Paulo Sorrentino 

Behind the Candelabra, dir Steven Soderbergh

La Venus a la Fourrure, dir Roman Polanski

Nebraska, dir Alexander Payne

Jeune et Jolie, dir François Ozon

La Vie d'Adele, dir Abdellatif Kechiche

Wara No Tate, dir Takashi Miike

Soshite Chichi Ni Naru, dir Kore-Eda Hirokazu

Tian Zhu Ding, dir Jia Zhangke

Grisgris, dir Mahamat-Saleh Haroun

The Immigrant, dir James Gray

Heli, dir Amat Escalante 

Le Passe, dir Asghar Farhadi

Michael Kohlhaas, dir Arnaud Despallieres

Inside Llewyn Davis, dir Ethan and Joel Coen

Un Chateau en Italie, dir Valeria Bruni-Tedeschi

 

Un Certain Regard (Jury chair: Thomas Vinterberg)

 

The Bling Ring, dir Sofia Coppola

L'Inconnu Du La, dir Alain Guiraudie

Bends, dir Flora Lau

L'Image Manquante, dir Rithy Panh

La Jaula De Oro, dir Diego Quemada-Diez

Anonymous, dir Mohammad Rasoulof

Sarah Préfère La Course, dir Chloé Robichaud

Grand Central, dir Rebecca Zlotowski

Fruitvale Statio, dir Ryan Coogler

Les Salauds, dir Claire Denis

Norte, Hangganan Ng Kasaysayan, dir Lav Diaz

As I Lay Dying, dir James Franco

Miele, dir Valeria Golino

Omar, dir Hany Abu-Assad

Death March, dir Adolfo Alix Jr

 

Cinefondation (Jury chair: Jane Campion)

 

Special Screenings

 

Weekend Of A Champion, dir Roman Polanski 

Seduced And Abandoned, dir James Toback

Otdat Konci, dir Taisia Igumentseva

Muhammad Ali's Greatest Fight, dir Stephen Frears

Stop The Pounding Heart, dir Robero Minervini

 

Midnight Screenings

 

Monsoon Shootout, dir Amit Kumar

Blind Detective, dir Johnnie To

 

Homage To Jerry Lewis

 

Max Rose, dir Daniel Noah

 

Out Of Competiton 

 

All Is Lost by J.C Chandor

Blood Ties by Guillaume Canet

Lincoln - Review

LINCOLN 

2013

12A

Directed by Steven Spielberg

Starring Daniel Day-Lewis, Sally Field and Joseph Gordon-Levitt

It has been far too long since the last Amateur Review! Last week was taken up with the sights and sounds of Paris and just generally viewing a lot of films (and not reviewing). It’s vain to assume the posts have been missed however it seems like a necessary formality to apologise for this absence, especially in the middle of awards season! Let’s start with Lincoln.

As the Civil War continues to rage, America's president struggles with continuing carnage on the battlefield and as he fights with many inside his own cabinet on the decision to emancipate the slaves. Lincoln is the striking account of the president’s plight to pass the 13^th amendment in the House of Representatives which would render slavery outlawed.

On paper, this looks like a classic picture. One of America’s most interesting historical figures, a whole host of the industry’s finest actors and Spielberg at the helm. Yet even with this knowledge, Lincoln surpasses expectation still.

For such a rich period of American history with so many colossal themes it would be far too easy for Lincoln to become the ‘greatest hits of one of America’s best’. A climax of a movie involving bearded men in the House of Representatives voting on an amendment is not typically thrilling for today’s blockbuster fans, but it really is, even though the outcome of the vote is known to most. With that said, as this is such an epic story with so many characters, sometimes the odd plot thread is lost in the massiveness of it all (yes Joseph Gordon-Levitt, you were partially underwritten.)  

Daniel Day-Lewis was Lincoln, flawless and utterly mesmerising. It is a hugely internal performance, a man of steel with a surprising sense of humour and the proclivity to tell some of the best tales. The physicality of this historic great is staggering. All 6”4, with his stiff, gangly gait; imposing in a non menacing kind of way. Sometimes stooping in shadows showing him as a fragile and contingent man; other times stoically illuminated by light giving us an indication of the gritty luminary he was to be remembered as.

In a room filled with so many strong politicians of the day, Lincoln could command a room. Similarly, on a set of so many true and iconic actors, Day-Lewis has that presence and steals every single scene even with his tinny, softly spoken voice. It’s hard to pinpoint the strongest element of the movie: the stunning art direction, the clever script, the impeccable character acting or the immense directorial restraint. If the Academy doesn’t take to any of the aforementioned aspects; they really are a fussy lot.

Rating: 7.5